YASHIKA
We look everyday,
but how often do
we truly see?
We look everyday,
but how often do
we truly see?
We look everyday,
but how often do
we truly see?
Why this narrative? This is designed as a questioning
to that habituated looking, unlearning the label that blinds
us. It is an invitation to stop, breathe, & return to a state
of wonder where seeing finally comes before words.
Why this narrative? This is designed as a questioning to that
habituated looking, unlearning the label that blinds us. It is an
invitation to stop, breathe, & return to a state of wonder where
seeing finally comes before words.
Why this narrative? This is designed as a questioning
to that habituated looking, unlearning the label that blinds
us. It is an invitation to stop, breathe, & return to a state
of wonder where seeing finally comes before words.
Why this narrative? This is designed as a questioning
to that habituated looking, unlearning the label that blinds
us. It is an invitation to stop, breathe, & return to a state
of wonder where seeing finally comes before words.
This book was sparked from a moment of pre-dawn
stillness,making me realize that we are often trapped
in an educational loop that defines the world through
names and rules before we truly experience it.
This book was sparked from a moment of pre-dawn stillness,
making me realize that we are often trapped in an educational
loop that defines the world through names and rules before
we truly experience it.
This book was sparked from a moment of pre-dawn
stillness,making me realize that we are often trapped
in an educational loop that defines the world through
names and rules before we truly experience it.
This book was sparked from a moment of pre-dawn
stillness,making me realize that we are often trapped
in an educational loop that defines the world through
names and rules before we truly experience it.
Visual Language
Visual Language
Modular grid
6 Rows 0.16 pt Gutter
10 Columns 0.5 pt Margins
Modular grid
6 Rows 0.16 pt Gutter
10 Columns 0.5 pt Margins
Modular grid
6 Rows 0.16 pt Gutter
10 Columns 0.5 pt Margins
Typography
Largest l 403 pt
Body text l 12 pt
Typography
Largest l 403 pt
Body text l 12 pt
Typography
Largest l 403 pt
Body text l 12 pt
About Material
320 gsm l 170 gsm
Gate fold soft binding
About Material
320 gsm l 170 gsm
Gate fold soft binding
About Material
320 gsm l 170 gsm
Gate fold soft binding
To name is to stop seeing.
This untitled cover removes the 'curtain'
of language, allowing a purely visual
first encounter.
To name is to stop seeing.
This untitled cover removes the 'curtain' of language, allowing a purely visual first encounter.
©Yashika_Agrawal
Resume
agrawalyashika567@gmail.com
Classroom Project
Timeline of 4 Weeks
Group Project
Timeline of 8 Weeks
Id
Ps
Ai
Pr
Pr
Seeing
2025
2025
2025
Publication Design
Publication Design
Publication Design
This publication is an invitation to
pause and notice what has always
been there but left unseen.
This publication is an invitation to pause and notice what has always been there but left unseen.